A novel set in Hawaii should be about Hawaii's
people in major part. The real story in Fatal
Paradise is the story of the
people
of Kauai encountered by the Chases in the course of their adventure.
Here are passages describing some of them:
Web Chamberlain, sugar planter with a penchant
for quote from English literature, white male: Webster Chamberlain
sat on the front porch of his up-country plantation house, surveying his
demesne -- sensuous hills and valleys as far as he could see, most of it
carpeted with spiky green-leafed sugar cane. The land rolled down
from the central mount until it terminated in ten miles of undeveloped
Hawaiian oceanfront.
In the distance below him, a cane fire that had
been set by one of his crews before dawn was now a plume of dense smoke.
A lone tractor worked the rubble, pushing it into heaps. Along the
earthen roads that cut through the fields, large yellow trucks covered
with the red grit that was the island's soil kicked up great clouds of
dust as they hustled back and forth on their cane runs just beyond the
reach of his hearing. The drivers, Chamberlain knew, were bouncing
hard against sprung seat cushions, permanently damaging their backs in
the cause of the Makai Sugar Company. He couldn't afford to refit
the cabs. He couldn't really afford the drivers, either. Land
rich but cash poor, for the first time in his long tenure at the helm of
Makai Sugar, Webster Chamberlain did not know how he was going to meet
the payroll.
Niki Makana, native Hawaiian,
sovereignty advocate: As they were packing up the cooler,
Iniki Makana appeared at the upper end of the access road and strolled
toward them.... The lissome Hawaiian ambled under the sugi pines
that lined the road, wearing a short wrap skirt and a bikini top that celebrated
her bosom. Shadows slid easily over her chest and shoulders as she
moved. Not wishing to appear overly interested, Andrew busied himself
with emptying the trash and loading the cooler into the trunk of the convertible.
Niki joined the women, and in a moment Andrew closed the trunk and walked
over to the foursome.
"Hello again, Niki," he said cheerfully.
The young woman with the same name as the hurricane looked at him with
timeless eyes; eyes shaped by a thousand ancestral years of isolation in
Hawaii; and before that, a thousand years of habitation in Tahiti; and
before that, a thousand Southeast Asian years; and still before, unknown
thousands of years in China. "There was another death today," she
said, unblinking.
George Akamai, police detective and descendant
of ali'i, the royalty of Kauai: "Now, put your arms
out like this." Akamai held his arms out in a V.
Stella followed suit. The Hawaiian moved behind her, and sighted
over her shoulder. "Wider," he said, and again, "wider. Okay,
right there. Your position pretty much defines the boundaries of
the Makai Ranch. All that shaggy green stuff you see in there is
sugar cane. There's a macadamia plantation down on the other side
of the highway, and some coffee that Chamberlain is experimenting with.
The dark green spots in amongst the cane? That's marijuana.
The pakalolo growers know which fields are not going to be harvested
this year -- there's a two year cycle for sugar -- and they poach on those
fields. The bigger spots, we'll go after and tear out, but the smart
guys plant in small clumps and keep good maps.
"Now, imagine a triangle with its top on Mount Wai'ale'ale and its arms
running like yours down the mountain and trough the plantation, and ending
at the shore. Are you with me, as that Perot guy says?"
"Yes, I've got the picture."
"All the land you're imagining belonged to my ancestors. This gorgeous
slice of island was in what became the Akamai family for several hundred
years. We lost it in the last century as the whites took over the
economy. Now the state owns the high part, and old man Chamberlain
owns the rest."
"Stella dropped her arms to her sides. "My gosh, I'm trying to fathom
-- well, to have this vast, beautiful domain, and then --.
"Yes, the past hundred years of my family's history is full of alcoholism,
suicide -- very dark things."
Barry Saga, captain of detectives, martial arts
expert, Japanese ancestry: The gunman turned backwards to
get into the car, using one hand to prevent the door from banging his shins
and the other to hold his weapon clear.
At that instant Saga vaulted over the ginger plants. With hurricane-force
winds now blowing against him, he felt as though he were running under
water. Fortunately, the kidnappers couldn't hear him coming, and
he was halfway to the car before the gunman glanced back as he slid onto
the seat....
He jumped out of the car, leaned against the door and swung the rifle,
waist-high, but Saga was already on him. With a swift left-handed
shuto
uke, Saga deflected the weapon, which fired harmlessly into the trees.
He then propelled his weight onto his left foot and executed a sharp mae-geri
with his right foot into the man's groin. As his foot returned to the ground
and the masked man pitched forward, Saga thrust the tensed fingers of his
right hand up in a blazing nukite strike against his opponent's
larynx. The gunman collapsed gasping to the ground. Saga snatched
the rifle out of his hand and flung it over the fence into a taro field.
Li-Ann Low, realtor from Honolulu, Chinese heritage:
Li-Ann Low rose from her chair and swung her slender body on stiletto heels
over to the wall ten feet or so away, where she bent down at the knees
to retrieve her laptop. The motion exposed the whole of her left
thigh. Staring brazenly at the Paracorp lawyer, she rose easily
out of her crouch, returned to the table and sat down. Andrew remained
impassive, but was thinking how fortunate it was that Harry Wong was not
present: this woman would appeal to his most uncontrollable weaknesses.
She could eat him alive. He stared steadily back at her and by entering
her game even in that small way, unconsciously evidenced the extent to
which she had begun to exert dominion over him.
The realtor opened her computer and slid it toward him across the table.
Unbuttoning her jacket, she leaned forward to reach the space bar....
The ensuing description of the Ranch's history and physical attributes
was lost on Andrew Chase, since he had no idea how Paracorp intended to
use the property. He did notice, though, that each time the realtor
leaned in his direction to advance the presentation by touching the space
bar, her breasts beneath her black camisole-type blouse brushed against
the tabletop.
Race Kendall, surfer, private investigator, white
male: "They're filming here on Kauai.
'Jurassic Park.' I believe the whole crew is staying at the Westin."
"Cool. Have you met them? Omigod! don't turn around, but I
think Laura Dern is checking us out."
"She's probably curious to see what kind of girl would go out with a low
life like Race Kendall. I met her the other day in the hall at the
hotel."
"Are you a low life?"
"Well, I'm sure she thinks so. I was going through the trash from
her room while my friend Aurora was cleaning the room next to it."
"Jeez. I agree with her. Maybe you'd like to elaborate, before
my impression of you regresses."
"In investigative work, you have to take some liberties, Liz. It's
for a good cause. I'm doing a pro bono case for the Kamehameha Society."
"Kamehameha? Wasn't he a Hawaiian king or something?"
"He was several Hawaiian kings. Kamehameha the First was the dude
that united the Hawaiian Islands. The Kamehameha Society is an organization
devoted to achieving sovereignty for the Islands."
.... "And this sovereignty group asked you to look at the Jurassic
trash? It doesn't make sense yet, Holmes."
"That's okay, I don't expect you to think like a private eye. See,
I'm completely uninterested in Laura Dern's discards, okay? The guy
I'm interested in was staying at the other end of the floor. But
since I don't want Aurora to know who I'm investigating, I look at all
the trash she collects on her shift. Every five rooms or so, I pick
it up, take it to a quiet place, look through it, and bring it back."
"Uchh. And you touched me earlier?"
"I wear rubber gloves on the job. Can we talk about something else?"
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