Beauty and "edge"on Kauai

Nature plays a big part in Fatal Paradise. Its beauty is celebrated in descriptions of mountain, ocean, beach, tropical forest, and the flight of a pair of of white-tailed tropic birds. Its sometimes scary forces are awesomely presented: the danger of a blowhole on a jagged lava shelf, the tsunami-like power of a storm surge, a hurricane with winds so powerful they spawn tornadoes at the storm's periphery.  The heat, the unpredictability of nature, the insistent trade winds, the inexorable ocean all create an environment in which a feeling of vulnerability contends with feelings of peace and relaxation.  An island like Kauai is, most of the time and for most people, an idyllic place to visit and to live, but every once in a while, bad stuff happens to nice people.  Here are some passages from Fatal Paradise that illustrate the contrasts.
 

Earthly paradise:



          Along the little-used valley trail, the Limahuli Stream flowed past them in spiritless summer languor toward Ha'ena and the sea.  The overgrown trace shadowed the creek, sometimes close to the bank, sometimes at a distance.  Rain forest loomed above them on either side.  Clouds soon moved in overhead, bringing welcome relief from the heat.  Birds twittered and chirped through the leafy valley, their high-pitched happiness floating above the steady, mellow gurgling of the watercourse.


            Small cumulus clouds, the last tatters of the departing storm, were racing silently past the moon.  They eclipsed it briefly one after another, and as they did so, their penumbral boundaries shone silver, then faded.  To either side, the streams of clouds drifting near the moon but not in front of it formed a celestial hallway in shades of gray, along which the sainted ones passed for their instant of glory.


            As she watched, a pair of white-tailed tropic birds, snowy radiances in the sunlight, swooped down from the precipice, the feathers of their long, forked tails flowing like streamers behind them.  They began an aerial pas-de-deux in the updrafts along the cliff.  Spiraling upward, diving, their wings outstretched, their direction changing with the slightest adjustment of their feather-tips, the two parted as if moved by a common inspiration, then came together, close enough to kiss for an instant, then parted again and met again.


            It was a waterfall almost four hundred feet high dropping over a gleaming face of wetted black lava.  To either side, the forest hung like curtains. Sunlight caught the view full on, bringing the white water chute into luminous relief against the inky cliff side.  The falls began as a pencil-thin beam high above them, gradually widening in its plunge, then dividing at a protruding ledge, creating two subsidiary chutes and a mist that drifted off on an amiable breeze.  One leg of the falls split again against an upward-jutting crag, throwing into the air a fine spray that also floated gracefully away.  The three watery strands continued earthward in free fall until they crashed against the base of the cliff in energetic splendor, exploding into clouds of flashing droplets that spattered like rain into a clear, dark pool.


 

splendor:



           The north shore road ends at Ke'e Beach.  On sunny days, Ke'e is a lovely crescent of tawny sand crouched below an upsweeping ridge line.  A reef creates a safe swimming area in summer, providing a haven for sea creatures and a place of constant diversion for snorkelers.  The sea within the arms of the reef captures the color of the sky and warps it toward pale green.


            Andrew Chase and his daughters had just rounded a turn on a steeply ascending trail, and were greeted with an expansive view of the cliffs that form the Na Pali coast.  Ranks of razor-ridged mountains, carpeted in greenery, marched in receding perspective down to the sea.  In its enthusiastic, endless caressing of these volcanic formations, the sea had chewed the ends of plunging ridge lines into sheer-faced precipices.  Standing one behind the other, the dragon-toothed mountains seemed painted from a cool palette, changing from vermilion to pale violet until the farthest of them faded from view in the salt haze that whitened the horizon.


            The sun, sinking into the horizon, found a gap in the deeply grayed magenta and cobalt blue clouds that were lying there, edges aflame, and shot a lava-red beam toward them through the hole.  Higher up, patches of cirrus clouds caught the sunlight through thinner air; they shone like enough golden fleece to tempt a flotilla of heroic Greeks.  Around the cirrus puffs, the sky was the color of blood, and beneath it all, the sea was an ultramarine wash against which the fronts of the waves danced royal purple.


            The view from the overlook was transcendent... a vertical drop from which the valley emerged between two long, craggy ridges; a broad, fertile, emerald-cloaked, two-mile wide scoop in the earth, it fell in an ever more gentle incline some three miles to the see.  The ridges to either side were rippled, folded and sharp-edged.  They framed the view with geological finality.  At the far end of the valley, waves dashing themselves against the cliffs and sliding onto the long beach that could just be seen as a shifting white line, beyond which the ocean merged with the sky where off-shore clouds occluded the horizon.

 
 

edge:


When she reached the end of the road, she sat in the rented convertible on the road outside the parking lot, listening to raindrops pop frenetically against the vinyl roof of the convertible and staring through the windshield at the yellow sign that marked the start of the Kalalau Trail.  As water streamed down the windshield, the sign seemed to contort, split and reassemble itself.  The forested hill behind it danced grotesquely, as did the patrol car tucked into the recesses of the parking lot.  Though the storm had cooled the air a little, the temperature remained close to eighty, and with the humidity, the atmosphere in the car was oppressive.


            "Should those kids be out there?" she asked, pointing out two teenaged boys who were making their way across the water-slicked lava projection toward the blowhole.
            "Definitely not!"  Freeman cried, and cupping his hands to his mouth he yelled at the teenagers, to no avail.  "Two people have slipped into that blowhole since I've been here," the publisher told his guests.  "One was pulled out pretty quickly, badly cut up from just a few seconds of being smashed by the water surging against the jagged edges of the hole.  The other was sucked into the lava tube, shredded up and taken out to see by the rip current.  Madame Pele's torture chamber," he added, inclining his head toward Spouting Horn.  As the three watched, one of the teenagers slipped and fell, cutting his arm on a sharp irregularity.  His cohort picked him up, and the pair retreated.
            Janet shivered.  She was in no mood for grisly tales or grisly sights.


            The land bordering the cove rose sharply.  Where it met the water at the far side of the cove, steep cliffs faced the incoming tide.  Behind the sandy crescent itself was a dome-shaped hill, and between the cove and the upper beach, a stream -- or perhaps an irrigation ditch -- flowed into the sea.  They splashed through the stream, and Race led the way through a thicket of brush onto a narrow path that followed the curve of the dome.  In a few moments, they were behind the hill.  "Here we are," Race said, pointing to an opening at its base.
            "What is it?  A cave?"
            "No, a tunnel.  Come on, and watch your head."
            Liz hung back.  "Race--"
            "Oh, come on.  This is in all the guidebooks.  Trust me, will you?"
            He marched toward the opening, ducked a bit and disappeared into it.  Liz, suddenly alone in the middle of nowhere, took a deep breath and followed.


       "I'll take the umbrella into the house.  You toss the chairs into the pool."
            "What?  Toss these--?"
            "It'll keep Iniki from blowing them through the neighbors' windows."
            Stella picked up one of the chairs.  Its lightness surprised her.  She held it over her head, looking at her underwater shadow on the bottom of the pool.  It was a baleful image, like the silhouette of a pinheaded murderess about to smash her victim's skull, and it frightened her.  Nothing happened by accident, she knew, even the casting of a shadow.  She flung the weightless bit of furniture, breaking her evil doppelganger into a million pieces that flew out  from the point at which the chair entered the water.  Repeating the act three times, Stella felt as though she were part of an ominously surreal stage play.



 
 

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