Nature plays a big part
in Fatal
Paradise.
Its
beauty is celebrated in descriptions of mountain, ocean,
beach,
tropical forest, and the flight of a pair of of white-tailed tropic birds.
Its sometimes scary forces are awesomely presented: the danger of a blowhole
on a jagged lava shelf, the tsunami-like power of a storm surge, a hurricane
with winds so powerful they spawn tornadoes at the storm's periphery.
The heat, the unpredictability of nature, the insistent trade winds, the
inexorable ocean all create an environment in which a feeling of vulnerability
contends with feelings of peace and relaxation. An island like Kauai
is, most of the time and for most people, an idyllic place to visit and
to live, but every once in a while, bad stuff happens to nice people.
Here are some passages from Fatal
Paradise that
illustrate the contrasts.
When she reached the end of the road, she sat
in the rented convertible on the road outside the parking lot, listening
to raindrops pop frenetically against the vinyl roof of the convertible
and staring through the windshield at the yellow sign that marked the start
of the Kalalau Trail. As water streamed down the windshield, the
sign seemed to contort, split and reassemble itself. The forested
hill behind it danced grotesquely, as did the patrol car tucked into the
recesses of the parking lot. Though the storm had cooled the air
a little, the temperature remained close to eighty, and with the humidity,
the atmosphere in the car was oppressive.
"Should those kids be out there?" she asked, pointing out two teenaged
boys who were making their way across the water-slicked lava projection
toward the blowhole.
"Definitely not!" Freeman cried, and cupping his hands to his mouth
he yelled at the teenagers, to no avail. "Two people have slipped
into that blowhole since I've been here," the publisher told his guests.
"One was pulled out pretty quickly, badly cut up from just a few seconds
of being smashed by the water surging against the jagged edges of the hole.
The other was sucked into the lava tube, shredded up and taken out to see
by the rip current. Madame Pele's torture chamber," he added, inclining
his head toward Spouting Horn. As the three watched, one of the teenagers
slipped and fell, cutting his arm on a sharp irregularity. His cohort
picked him up, and the pair retreated.
Janet shivered. She was in no mood for grisly tales or grisly sights.
The land bordering the cove rose sharply. Where it met the water
at the far side of the cove, steep cliffs faced the incoming tide.
Behind the sandy crescent itself was a dome-shaped hill, and between the
cove and the upper beach, a stream -- or perhaps an irrigation ditch --
flowed into the sea. They splashed through the stream, and Race led
the way through a thicket of brush onto a narrow path that followed the
curve of the dome. In a few moments, they were behind the hill.
"Here we are," Race said, pointing to an opening at its base.
"What is it? A cave?"
"No, a tunnel. Come on, and watch your head."
Liz hung back. "Race--"
"Oh, come on. This is in all the guidebooks. Trust me, will
you?"
He marched toward the opening, ducked a bit and disappeared into it.
Liz, suddenly alone in the middle of nowhere, took a deep breath and followed.
"I'll
take the umbrella into the house. You toss the chairs into the pool."
"What? Toss these--?"
"It'll keep Iniki from blowing them through the neighbors' windows."
Stella picked up one of the chairs. Its lightness surprised her.
She held it over her head, looking at her underwater shadow on the bottom
of the pool. It was a baleful image, like the silhouette of a pinheaded
murderess about to smash her victim's skull, and it frightened her.
Nothing happened by accident, she knew, even the casting of a shadow.
She flung the weightless bit of furniture, breaking her evil doppelganger
into a million pieces that flew out from the point at which the chair
entered the water. Repeating the act three times, Stella felt as
though she were part of an ominously surreal stage play.
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